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Hendrik Arie Baartman
| Biography: Statement of Hendrik Arie Baartman 2003 living in the Netherlands.
As an artist of constructive geometric forms, my work deals with patterns and relationships derived from classical ideals of balance and symmetry. Mathematical yet organic, these abstract forms invite the viewer to partake of the geometric aesthetic. I use a variety of media, computer art, paper, and wood, plastic, metal.
Classical forms are pushed in new directions, so viewers can take pleasure in their Platonic beauty yet recognize how they are updated for our complex high-tech times. I share with many artists the idea that a pure form is a worthy object, and select for each piece the materials that best carry that form. In one series of pieces, familiar objects are arranged in engaging configurations, displaying an essential tension between mundane individual components and the strikingly original totality.
Because my works invite contemplation, slowly revealing their content, some viewers see them as meditation objects. A lively dancing energy moves within each piece and flows out to the viewer. The integral wholeness of each self-contained picture presents a crystalline purity, a conundrum of complexity, and a stark simplicity.
The term experimental is used in art to indicate working with new forms.
In science experiment is used to test theory, but what then is my theory? It is that art is close to science. You could simplify it by saying: physics is about physical forces, art is about mental forces. More generally there is something deeper going on in science and art. Einstein observed that a theory needs to be expressed elegantly. A beautiful equation is more powerful because it can be worked with more effectively. Its elegance gives it utility: Form follows Function was a founding principle of modernism and although we live in a post modern age, the lessons taught by modernists are still relevant, particularly when considered in the abstract. This is not about style or functionality, at issue is the underlying common nature of science and art.
The observation that art and science share a common purpose is not new, Leonardo DaVinci would have said much the same and even at the dawn of history Pythagoras declared that numbers were the underlying structure of everything. However this is not a matter of repackaging classical concepts in a contemporary context. Our understanding of the scientific method has undergone a paradigm shift within the last generation. Scienc... to see complete biography, click on artists name Country: Netherlands Birthyear: 1940 Galleries: 1973 - galerie 111 Groningen
Galerie Columbus Groningen
1974-Zeeuwsmuseum Middelburg
De Vleeshal Middelburg
Kunst uit Zeeland Nederland
Min. V.Volksh. Den Haag
Plan Galerie Knokke
Galerie Muhlen Gutersloh
Galerie Kreatum Utrecht
Van Reekum Gal. Apeldoorn
Bree Galerie Middelburg
1975- Zeeuws K. Centrum Middelburg
Galerie Plan Knokke
Met Vasarely en Yvaral
Gal. De Witte Voet Amsterdam
Min. Van Volksh. Den Haag
1976- Fifth British int. Print Bienn.
Bradford, Engeland
Int.Print Bienn. Krakow
Gem. Huis Hengelo
Stadskantoor Emmeloord
World Expo. New York
1977- Reizende Expo prov.Overijssel
Bienn. Cleveland Engeland
1978- Grafischen Kabinett Lunen
1980- Westleton Art Gallery
Westleton Engeland
Braiseworth Gallery Eye Eng.
1981- Groninger Plastieken Gron.
Expo “de Ploeg” Groningen
1982- Groninger Grafiek Groningen
De Ploeg 75 jaar Groningen
Groningen Monumentaal 2
1983- Manifestatie A-Kerk Gron.
Tek. & collage Veendam
Grafimathematiek Bedum
Miniaturen Groningen
1984- Objectenpark Stadskanaal
M.B.Arts Mons Belgje
1985- Foto-Expo prov.huis Gron.
1986- Grafimathematica Emmeloord
Foto-Expo Oostburg
Overzicht Museum Groningen
G.K.K. kunst Groningen
1988- Tek. En Objecten Emmeloord
Expo tekeningen Enkhuizen
Groepsexpo met o.a.Appel, Struyken, Citroen, Zwolle
1989-Objectenpark Noord-oostp.
Voorjaarssalon Lelystad
Overzichtexpo de K.V.F.
Almere-Lelystad-Emmeloord.
Kunstmanifestatie A-6
Monumentaal Almere
1990- Expo “de tijd” Bussum
Onderwijsexpo Biddinghuizen
Expo “shelter” Bussum
1991-Overzicht Zeeuwsmuseum
Overzicht expo prov.Zeeland
20 jaar Grafimathematica
Biddinghuizen, Flevoland
1992-Grafimathematica Dronten
Expo-de waarneming Borne
Monument expo Bussum
1993- Metamorphosis Kampen
Zwolse Kunst Vologda
1994-Mondriaan expo Den Haag
Zwolle, Lekkerkerk, Lelystad.
1995-Galerie Bax Sneek
Voorjaarssalon Lelystad
1996- Unilevergebouw Rotterdam
Reizende Tentoonstelling “te
Gek voor ogen” prov.Overijssel
1997- W.M.O. gebouw Metamorphosis
Zwolle
Onderwijsexpo. Deventer
1998- Galerie Peter Bax Sneek
Broerenkerk, groeps Zwolle
Gal. Koerts&Koerts gr. Elsloo
Expo Brillenfabriek Zevenaar
1999- Onderwijs expo Deventer
International expo WWW
World art Center expo
Galerie On line Art
2000- Collectie vorming Zwols Museum
Galeria D’Art Zero Barcelona
“Art for “Art Barcelona
“Contrasts 2000 “ Amsterdam
“Mac 21 “ International Art Fair
Marbella Spain.
2001- Museum of computer art
Kampen
World Art Center Expo
Gal. van Koert & Koert Elsloo
Midland Art Center Zwolle
Media: computer or digital art Style: abstract Subjects: geometric shapes, Mathematical shapes |
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